[创造更适合我们班级孩子的“学讲”英语课]李涛涛 ]，自从徐州市推进 学讲计划 以来，一直在努力探索 学讲 之路，在这个过程中，经历了很多困难和挫折，但也意外收获了许多。学讲 课堂重视的是学生自己真实的学习的发生，所以学...+阅读
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Roger Rosenblatt's book Black Fiction, in attempting to apply literary rather than sociopolitical criteria to its subject, successfully alters the approach taken by most previous studies. As Rosenblatt notes, criticism of Black writing has often served as a pretext for expounding on Black history. Addison Gayle's recent work, for example, judges the value of Black fiction by overtly political standards, rating each work according to the notions of Black identity which it introduces.
Although fiction assuredly springs from political circumstances, its authors react to those circumstances in ways other than ideological, and talking about novels and stories primarily as instruments of ideology outwits much of the fictional enterprise. Rosenblatt's literary analysis discloses affinities and connections among works of Black fiction which solely political studies he overlooked or ignored.
Writing acceptable criticism of Black fiction, however, presupposes giving satisfactory answers to a number of questions. First of all, is there a sufficient reason, other than the racial identity to the authors, to group together works by Black authors? Second, how does Black fiction make itself distinct from other modem fiction with which it is largely contemporaneous? Rosenblatt shows that Black fiction constitutes a distinct body of writing that has an identifiable, coherent literary tradition. Looking at novels written by Blacks over the last eighty years, he discovers recurring concerns and designs independent of chronology. These structures are related to the themes, and they spring, not surprisingly, from the central fact that the Black characters in these novels exist in a predominantly White culture, whether they try to conform to that culture or rebel against it.
Black Fiction does lee some aesthetic questions open. Rosenblatt's theme-based analysis permits considerable objectivity, he even explicitly states that it is not his intention to judge the merit of the various works, yet his reluctance seems misplaced, especially since an attempt to appraise might he led to interesting results. For instance, some of the novels appear to be structurally diffuse. Is this a defect, or are the authors working out of, or trying to fe, a different kind of aesthetic? In addition, the style of some Black novels, like Jean Tommer's Cane, verges on expressionism or surrealism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expression?
In spite of such omissions, what Rosenblatt does include in his d
iscussion makes for an astute and worthwhile study. Black Fiction surveys a wide variety of novels, bringing to our attention in the process some fascinating and little-known works like James Weldon Johnson's Autobiography of an Ex-colored Man. Its argument is tightly constructed, and its forthright, lucid style exemplifies levelheaded and perating criticism.
20. The author objects to criticism of Black fiction like that by Addison Gayle because it ___20___.
A. emphasizes purely literary aspects of such fiction
B. misinterprets the ideological content of such fiction
C. misunderstands the notions of Black identity contained in such fiction
D. substitutes political for literary criteria in evaluating such fiction
21. The author of the passage is primarily concerned with ___21___.
A. evaluating the soundness of a work of criticism
B. paring various critical approaches to "a subject
C. discussing the limitations of a particular kind of criticism
D. summarizing the major points made in a work of criticism
22. The author believes that Black Fiction would he been improved, had Resenblatt ___22___.
A. evaluated more carefully the ideological and historical aspects of Black fiction
B. attempted to be more objective in his approach to novels and stories by Black authors
C. explored in greater detail the recurrent thematic concerns of Black fiction throughout its history
D. assessed the relative literary merit of the novels he analyzes thematically
23. The author's discussion of Black Fiction can be best described as ___23___.
A. pedantic and contentious
B. critical but admiring
C. ironic and deprecating
D. argumentative but unfocused
24. It can be inferred that the author would be LEAST likely to approve of which of the following? ___24___
A. An analysis of the influence of political events on the personal ideology of Black writers
B. A critical study that applies sociopolitical criteria to autobiographies by Black authors
C. A literary study of Black poetry that appraises the merits of poems according to the political acceptability of their themes
D. An examination of the growth of a distinct Black literary tradition within the context of Black history
25. The author refers to James Weldon Johnson's Autobiography of an Ex-colored Man most probably in order to ___25___.
A point out affinities between Rosenblatt's method of thematic analysis and earlier criticism
B clarify the point about expressionistic style made earlier in the passage
C qualify the assessment of Rosenblatt's book made in the first paragraph of the passage
D give a specific example of one of the acplishments of Rosenbaltts' work
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